52 Frames - Revision history

RobertBushman: /* Test Shots */

2021-03-06T14:05:33Z

Test Shots

← Older revision		Revision as of 14:05, 6 March 2021
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	[[File:Cactus in Desert Landscape.jpg\|300px\|thumb\|Cactus in Desert Landscape]]		[[File:Cactus in Desert Landscape.jpg\|300px\|thumb\|Cactus in Desert Landscape]]
			\|-
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			[[File:Resolute Padlock.jpg\|300px\|thumb\|A resolute padlock bearing the strain through the years under the harsh Arizona sun.]]
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	\|}		\|}

RobertBushman at 08:13, 5 March 2021

2021-03-05T08:13:01Z

← Older revision		Revision as of 08:13, 5 March 2021
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	https://52frames.com/		https://52frames.com/

			= 2021-03-14: Color Relationship! =

			It's time to pay attention to the C O L O R S in your photo this week! Try and think about how the colors in your photo interact with each other.

			There are many "color relationships" you can choose from.

			* You might go with "complementary colors." which pushes contrasting colors that appeal to the eye.
			* You might even choose to go for a minimalistic color approach, where you use slightly different versions of the same color.

			Use the same color palette throughout your frame for an easier, more streamlined look for your viewers OR do the opposite, and have pops of different color in order to bring out different aspects or subjects of your photo.

			Analagous colors are those that belong in the same range of the color wheel - they're more subtle and often can be interpreted as being similar to each other.

			Finally, consider the emotional connect that certain colors bring out within us all -

			REDS might represent passion and warmth, BLUES are often associated with calmness, GREENS can make us think of vibrance or even act as a balance between warm and cool colors.

			We live in a world of C O L O R - it's time to pay extra attention to it this week.

	= 2021-03-07: Negative Space =		= 2021-03-07: Negative Space =

RobertBushman: /* 2021-02-21: Roll Credits */

2021-03-04T18:31:58Z

2021-02-21: Roll Credits

← Older revision		Revision as of 18:31, 4 March 2021
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	\|}		\|}

	= 2021-02-21: ~~Golden Hour~~ =		= 2021-02-21: Roll Credits =

	Challenge: It's the last scene of your movie, just before the credit roll, what shot are you leaving your audience with?		Challenge: It's the last scene of your movie, just before the credit roll, what shot are you leaving your audience with?

RobertBushman: /* Test Shots */

2021-03-04T18:28:28Z

Test Shots

← Older revision		Revision as of 18:28, 4 March 2021
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	\|[[File:ASU Metal Shade.jpg\|300px\|thumb\|A giant metal shade with a hole in the middle over an outdoor conversation area.]]		\|[[File:ASU Metal Shade.jpg\|300px\|thumb\|A giant metal shade with a hole in the middle over an outdoor conversation area.]]
	\|		\|
			[[File:8th Street Apartment Complex 01.jpg\|300px\|thumb\|Apartment Complex Architectural Detail]]
	\|		\|
			[[File:8th Street Apartment Complex 02.jpg\|300px\|thumb\|Apartment Complex Architectural Detail]]
	\|		\|
			[[File:Tire Swing 01.jpg\|300px\|thumb\|Tire Swing 01]]
			\|-
			\|
			[[File:Outdoor Lighting Fixture.jpg\|thumb\|Outdoor Lighting Fixture]]
			\|
			[[File:Manhole Cover in Desert Landscape.jpg\|300px\|thumb\|Manhole Cover in Desert Landscape]]
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			[[File:Park Bench in Desert Landscape.jpg\|300px\|thumb\|Park Bench in Desert Landscape]]
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			[[File:Cactus in Desert Landscape.jpg\|300px\|thumb\|Cactus in Desert Landscape]]
	\|}		\|}


	= 2021-02-28: Details =		= 2021-02-28: Details =

RobertBushman at 18:20, 4 March 2021

2021-03-04T18:20:19Z

← Older revision		Revision as of 18:20, 4 March 2021
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	https://52frames.com/		https://52frames.com/

			= 2021-03-07: Negative Space =

			Negative space refers to the space around your subject, and when done right, can actually both attract attention to your subject and it's spacious surroundings!

			Using negative space will yield a great "minimalism" approach; this of the old adage "less is more". Take out all distraction. Keep your whole frame clean of "clutter".

			This is also a great time for assymetry to play more of a part in your composition. Look out for clean backgrounds like walls or an overcast sky. Negative space need not mean plain and bland backgrounds - texture and contrasting colours can also be used to play a part in "framing" your subject effectively.

			Striking a good balance between the negative space and your subject is essential - make the space work for what you want to depict.

			== Test Shots ==
			{\| class="wikitable"
			\|-
			\|[[File:ASU Metal Shade.jpg\|300px\|thumb\|A giant metal shade with a hole in the middle over an outdoor conversation area.]]
			\|
			\|
			\|
			\|}


	= 2021-02-28: Details =		= 2021-02-28: Details =

RobertBushman: /* 2021-02-21: Golden Hour */

2021-02-25T14:10:40Z

2021-02-21: Golden Hour

← Older revision		Revision as of 14:10, 25 February 2021
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	\|[[File:Koenig's Warning.jpg\|thumb\|We saw what happened to Koenig and his people. What becomes of Thompson is left to the imagination of the moviegoer.]]		\|[[File:Koenig's Warning.jpg\|thumb\|We saw what happened to Koenig and his people. What becomes of Thompson is left to the imagination of the moviegoer.]]
	\|'''Koenig's Warning'''		\|'''Koenig's Warning'''

			I used a snoot with a grid made out of black straws to put a little splash of light on the telegram. This draws the eye and makes the background, lit with a warm white bulb, warmer and moodier. I used an ND8 neutral density filter to get the flash dark enough. I had it on its lowest setting, but had it very close to the telegram to minimize the splash on the floor.

			I added 3200 ISO grain and did my best with color grading. 16:9 aspect ratio and a shallow depth of field complete the attempt at a cinematic look.
			\|-
			\|
			[[File:Koenig's Warning Lightened.jpg\|thumb\|Slightly lightened to bring the dark elements up a bit.]]
			\|'''Koenig's Warning (Lightened)'''

	I used a snoot with a grid made out of black straws to put a little splash of light on the telegram. This draws the eye and makes the background, lit with a warm white bulb, warmer and moodier. I used an ND8 neutral density filter to get the flash dark enough. I had it on its lowest setting, but had it very close to the telegram to minimize the splash on the floor.		I used a snoot with a grid made out of black straws to put a little splash of light on the telegram. This draws the eye and makes the background, lit with a warm white bulb, warmer and moodier. I used an ND8 neutral density filter to get the flash dark enough. I had it on its lowest setting, but had it very close to the telegram to minimize the splash on the floor.
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	[[File:Koenig's Warning Unedited.jpg\|thumb\|This is the Koenig's Warning image as it came out of the camera.]]		[[File:Koenig's Warning Unedited.jpg\|thumb\|This is the Koenig's Warning image as it came out of the camera.]]
	\|Just showing what the ~~camera~~ looked like straight out of the camera. Looking at both images now, it's kind of hard to tell what I did. I added grain, to make it look like cinema film. I also darkened the shadows and cropped to 16:9.		\|Just showing what the picture looked like straight out of the camera. Looking at both images now, it's kind of hard to tell what I did. I added grain, to make it look like cinema film. I also darkened the shadows and cropped to 16:9.
	\|}		\|}

RobertBushman: /* 2021-02-28: Details */

2021-02-25T05:20:22Z

2021-02-28: Details

← Older revision		Revision as of 05:20, 25 February 2021
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	{\| class="wikitable"		{\| class="wikitable"
			\|-
			\|
			[[File:Automatic Skeleton 16.jpg\|thumb\|Version 16 of a focus-stacked image of an automatic skeleton watch.]]
			\|'''Automatic Skeleton #16'''
	\|-		\|-
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	[[File:Automatic Skeleton Stack.jpg\|thumb\|Focus stack of an automatic skeleton watch.]]		[[File:Automatic Skeleton Stack.jpg\|thumb\|Focus stack of an automatic skeleton watch.]]
	\|'''Automatic Skeleton'''		\|'''Automatic Skeleton #1'''
	\|}		\|}

RobertBushman at 21:39, 21 February 2021

2021-02-21T21:39:40Z

@@ Line 1: / Line 1: @@
 https://52frames.com/
-= 2021-02-14: Golden Hour =
+= 2021-02-28: Details =
 Challenge: It's the last scene of your movie, just before the credit roll, what shot are you leaving your audience with?

RobertBushman at 02:41, 21 February 2021

2021-02-21T02:41:09Z

← Older revision		Revision as of 02:41, 21 February 2021
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	\|-		\|-
	\|[[File:Koenig's Warning.jpg\|thumb\|We saw what happened to Koenig and his people. What becomes of Thompson is left to the imagination of the moviegoer.]]		\|[[File:Koenig's Warning.jpg\|thumb\|We saw what happened to Koenig and his people. What becomes of Thompson is left to the imagination of the moviegoer.]]
	\|I used a snoot with a grid made out of black straws to put a little splash of light on the telegram. This draws the eye and makes the background, lit with a warm white bulb, warmer and moodier. I used an ND8 neutral density filter to get the flash dark enough. I had it on its lowest setting, but had it very close to the telegram to minimize the splash on the floor.		\|'''Koenig's Warning'''

			I used a snoot with a grid made out of black straws to put a little splash of light on the telegram. This draws the eye and makes the background, lit with a warm white bulb, warmer and moodier. I used an ND8 neutral density filter to get the flash dark enough. I had it on its lowest setting, but had it very close to the telegram to minimize the splash on the floor.

	I added 3200 ISO grain and did my best with color grading. 16:9 aspect ratio and a shallow depth of field complete the attempt at a cinematic look.		I added 3200 ISO grain and did my best with color grading. 16:9 aspect ratio and a shallow depth of field complete the attempt at a cinematic look.

RobertBushman: /* 2021-02-14: Golden Hour */

2021-02-21T02:37:50Z

2021-02-14: Golden Hour

← Older revision		Revision as of 02:37, 21 February 2021
Line 11:		Line 11:

	I added 3200 ISO grain and did my best with color grading. 16:9 aspect ratio and a shallow depth of field complete the attempt at a cinematic look.		I added 3200 ISO grain and did my best with color grading. 16:9 aspect ratio and a shallow depth of field complete the attempt at a cinematic look.
			\|-
			\|
			[[File:Koenig's Warning Unedited.jpg\|thumb\|This is the Koenig's Warning image as it came out of the camera.]]
			\|Just showing what the camera looked like straight out of the camera. Looking at both images now, it's kind of hard to tell what I did. I added grain, to make it look like cinema film. I also darkened the shadows and cropped to 16:9.
	\|}		\|}